Color Conversations: Density & TVI or L*a*b?

by JimRaffel on July 9, 2010

Epson WT7900Golden Nugget #5 Density & TVI or L*a*b* originally appeared on JimRaffel [dot] com in 2005. the topic is one that still comes up frequently in conversations with customers.

I settled on the topic of using Density & TVI vs. L*a*b* to evaluate the difference between inkjet proofs and press sheets not only because it came up several times this week, but it keeps coming up every week in on-site visits and telephone support calls. This topic stems from the reality that densitometers use very specific filters defined by international standards to measure the CMYK ink set. These filters are tuned to the spectral response of the process color ink set. The inks used in ink jet printers do not have the same spectral response as the CMYK inks used on printing presses in our industry.

So, while the solid color bar patches of CMYK on the proof and press sheet look visually the same to our human eye (capable of seeing the entire visual spectrum at all times), they can and often do look considerably different to a device which simply has three filters (utilized to filter the visual spectrum into thirds). This also means that any value derived from a potentially flawed density value (i.e. – Dot Area, Dot Gain-TVI if you prefer, Print contrast, Trap, etc…) are equally unreliable as evaluation tools concerning the match of an ink jet proof and a press sheet.

I have seen time and time again in the field inkjet proofs that do not visually match, but have density and TVI values within tolerance (we have seen the reverse also). As recently as last year I know of at least one inkjet proofing manufacturer who still utilized density trends to verify proof consistency over time. One of our mutual customers complained to me that while the manufacturer’s software and ColorMetrix both reported the proofs being in specification, the visual variation was not acceptable. I asked them to view the trending data in Delta E, and was not surprised to hear them say that shifts or 6-8 Delta E (CIE L*a*b*) in the balanced 3 color grays appeared to be the norm not the exception.

So, is there any value in measuring the density of inkjet proofs? I am not convinced there is. On the other hand, since it is easy to collect and store the data, why not do so. Also, one of my customers pointed out to me this week that they monitor Magenta density of their inkjet proofing system to catch changed changes in ambient conditions like humidity and temperature. While I have not seen this first hand, I am told by the customer that they can get shifts of .07 in Magenta, and still have Delta E variation of less than 3.5 (acceptable level for this instillation). But the movement in the Magenta density warns them they are having humidity problems that could cause the production of bad proofs soon.

The above example is what process control is all about. If you do not measure it, you can not control it. Then, when problems do occur you can go back and look for shifts in the measurements. After identifying a key metric, as our customer above did, you can add that to your daily monitoring, and improve quality and productivity while at the same time reducing waste.

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Color & The State of the Printing Industry 2010

by ColorMetrix on June 21, 2010

Color & The State of Printing Industry 2010 was originally published on JimRaffel [dot] com on January 1st of this year. We are working on a private community where more content of this nature will be available exclusively for our customers. Sign up for our RSS feed to stay informed of the progress.

It never ceases to amaze me how integral color knowledge is to the graphic arts industry at large, yet how few people in the industry really understand the topic. The problem is that color, like the game of chess, is very easy to learn and almost impossible to master. I believe this is because true color knowledge requires solid math skills. Color Science, after all, is applied physics.

In 2010 and beyond, the printing companies that thrive (profit leaders) will be leaders in color knowledge and implementation. For example, the GRACoL G7 methodology is the practical application of color science to achieve a more consistent and predictable print result regardless of where the digital files are converted to ink on substrate. Gee, sounds like a Real, Authentic & Sustainable way to reduce waste and increase productivity.

A significant advantage ink on substrate has over other information delivery methods is color vibrancy and consistency. Sure my iPod Touch, my Blackberry, my computer screen, and my TV screen can all deliver amazing and eye catching visual messages, but how consistent is the color fidelity of the same message delivered to multiple devices? (It was a rhetorical question, but the answer is awful).

On the other hand, you can produce a corporate color like “Coke Red” on just about any substrate anywhere in the world if you choose to do so, and I wrote about it here. The printing industry also has the capability to create amazing color messages by utilizing interesting combinations of unique spot colors. The key again is you can control the color and consistency of these colors like no other medium that is delivered to the general public.

The color challenge I issue for 2010 is twofold. First, invest the resources necessary to become a high level practitioner of color science, or provide the means for someone in your organization to do so. Second, keep your eyes open for projects that benefit from the delivery of a high level of color fidelity and color consistency to the general public. Go after these projects with a vengeance selling the benefits that you as a printer can provide over any other message delivery method!

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Color Conversations is Coming April 6th

April 2, 2010

Beginning April 6th there will be a weekly blog post here. Hello there, my name is Jim Raffel and I am one of the founders of ColorMetrix. For several years now I have written a blog at JimRaffel.com.  For most of those years the blog was printing industry-centric but over the last year that has [...]

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